In my works, charcoal is the primary material. Although drawing is investigated from a traditional material in my process I intend conceptually to maximize the use of charcoal, its properties and forms to insert and inscribe the body actions. In recent works I`ve been exploring new repertories of violence – destruction, torture, vandalism, crimes, iconoclasm, war – in relation to drawing. The actions involve the clash/shock between a body and an object. The charred objects are both weapons and drawing instruments. Other objects – stones and iron pipe – are improvised weapons. They make marks, violence marks, inscriptions of bodily actions and evidences of destructions.