Sara Chang Yan
My work charts visible and invisible movements, including those of sound, time, the verticality of a palm tree trunk, water streaming down mountains, temperature, prayer, and sequences of views. In my work, silence is a verb, just like the majority of concepts. The work activates the entire field of the paper. The multitude of gestures explores the potential of emptiness.
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S GESTURE, V TEMPERATURE, I QUALITY OF LIGHT (2.2), GRAPHITE, COLOR PENCIL, WATERCOLOR AND CUTTER ON PAPER, 36.5 X 28 CENTIMETERS, 2015
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I QUALITY S GESTURE V TEMPERATURE (SIDE 2/2), WATER COLOR AND CUTTER ON PAPER, DIMENSION VARIABLE MAX 15.2 X 11 INCHES, 2015
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S GESTURE, V TEMPERATURE, I QUALITY OF LIGHT (2.2), GRAPHITE, COLOR PENCIL, WATERCOLOR, AND CUTTER ON PAPER, 36.5 X 28 CENTIMETERS, 2015
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SIGHT VERB, PENCIL AND CUTTER ON PAPER (SIDE 1/2), DIMENSION VARIABLE MAX. 16.5 X 11.65 INCHES, 2015