To activate The Drawing Center’s newly designed galleries, the institution’s curators have invited artists to create long-term drawing-based installations in atypical locations around the facility. The first project is James Sheehan’s Death of Malevich (2013). Sheehan’s postage-stamp-size watercolor on board is inserted directly into one of the walls of The Lab corridor, creating a keyhole effect that voyeuristically transports the viewer into another realm. His infinitesimal image Death of Malevich derives from a photograph of famed Russian Suprematist painter Kazimir Malevich lying in state, surrounded by his artworks. Sheehan’s exploration of the relationship between distance and scale results in a scene that appears legible from afar, but that gradually dissolves on approach—even as the work’s recessed installation (and the placement of the painter’s acclaimed Black Square, 1915, directly above the dead man’s head) draw the viewer in. This work was also featured in our recent exhibition Small..
James Sheehan, Death of Malevich, 2013, Watercolor on rag board, inserted into wall, 7/8 x 1 inch. Courtesy of the artist.