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Main Gallery, Drawing Room, and The Lab Apr 15, 2016 - Jun 12, 2016

Drawing Dialogues

Selections from the Sol LeWitt Collection

Photograph of Sol LeWitt’s Studio, 117 Hester Street, New York, 1968 Black and white photograph
3 1/2 x 3 1/2 inches. LeWitt Collection, Chester, CT.
Photograph of Sol LeWitt’s Studio, 117 Hester Street, New York, 1968 Black and white photograph
3 1/2 x 3 1/2 inches. LeWitt Collection, Chester, CT.
Photograph of Sol LeWitt’s Studio, 117 Hester Street, New York, 1968 Black and white photograph
3 1/2 x 3 1/2 inches. LeWitt Collection, Chester, CT.

Photograph of Sol LeWitt’s Studio, 117 Hester Street, New York, 1968 Black and white photograph
3 1/2 x 3 1/2 inches. LeWitt Collection, Chester, CT.

Please note: the Lab gallery section of Drawing Dialogues: Selections from the Sol LeWitt Collection will be on view through Sunday, June 5.

The Drawing Center presents Drawing Dialogues: Selections from the Sol LeWitt Collection, an exhibition featuring over one hundred works by more than sixty artists from the renowned artist’s extraordinary collection. It is the first large-scale exhibition of the collection to be held in New York in over thirty years. The Drawing Center show concentrates on minimal and conceptual drawing, which forms the core of the collection, with classic examples from key figures like Mel Bochner, Hanne Darboven, Eva Hesse, and Lawrence Weiner. It also includes works by artists such as Alighiero Boetti, Jan Dibbets, Kazuko Miyamoto, and Fred Sandback that investigate mark-making in unexpected materials and formats. In addition to exploring cross-connections among LeWitt’s peers, the exhibition presents contributions by older artists whose methods inspired LeWitt, as well as younger artists whose approaches are in dialogue with earlier generations while extending the medium in new directions. Finally, the exhibition features select works by LeWitt himself—including a wall drawing—that resonate with the other objects on view. Presenting work in drawing, sculpture, photography, print, and installation, Drawing Dialogues: Selections from the Sol LeWitt Collection re-examines minimal and conceptual art and the parameters of the drawn medium through the organizing lens of one of its greatest practitioners.

Sol LeWitt’s status as one of the paramount American artists of the past half-century is well established. What is less known is that LeWitt was also an avid collector who during his lifetime amassed an extraordinary ensemble of over 4,000 pieces by approximately 750 artists through purchase, exchange, and gifts. The majority are works from the 1960s and 1970s by LeWitt’s friends and peers whom he admired and encouraged; but the collection also reaches backwards and forwards from that time to embrace art from other periods and cultures. The LeWitt Collection is a remarkable example of an artist’s extraordinary curiosity and generosity, perhaps the truest portrait of a man who was notoriously private but who dedicated himself to his artistic interests and relationships. It is also a portrait of artistic developments in the 1960s and 1970s, when European and American minimal and conceptual art came into their own. Indeed, the collection can be viewed as a lived archive of the world in which LeWitt moved and worked, even as it examines the possibilities for conceptual art across media, disciplines, and time periods.

Curated by Claire Gilman, Senior Curator of The Drawing Center, and Béatrice Gross, Guest Curator and LeWitt scholar.

Drawing Dialogues: Selections from the Sol LeWitt Collection will include works by William Anastasi, Carl Andre, Stephen Antonakos, Richard Artschwager, Alice Aycock, Jo Baer, John Baldessari, Robert Barry, Gene Beery, Franco Bemporad, Mel Bochner, Alighiero Boetti, John Cage, Enrico Castellani, Lucinda Childs, Chuck Close, Hanne Darboven, Honoré Daumier, Jan Dibbets, Peter Downsbrough, Sam Durant, Jackie Ferrara, Dan Flavin, Charles Gaines, Gilbert & George, Philip Glass, Dan Graham, Nancy Graves, Hans Haacke, Eva Hesse, Channa Horwitz, Shirazeh Houshiary, Clarence John Laughlin, Ray Johnson, Donald Judd, Alex Katz, On Kawara, Emily Kame Kngwarreye, Jannis Kounellis, Jacques Lacombe, Barry Le Va, Sol LeWitt, Jane Logemann, Richard Long, Lee Lozano, Alvin Lucier, Robert Mangold, Mario Merz, Kazuko Miyamoto, Ree Morton, Eadweard Muybridge, Maurizio Nannucci, Giulio Paolini, Henry Pearson, Adrian Piper, Sylvia Plimack Mangold, Steve Reich, Dorothea Rockburne, Fred Sandback, Jan Schoonhoven, Robert Smithson, Pat Steir, Allyson Strafella, Old Tutuma Tjapangati, David Tremlett, Yoshiiku Utagawa, Georges Vantongerloo, Bernar Venet, Ruth Vollmer, Hannah Weiner, Lawrence Weiner, and Franz West.

Drawing Dialogues: Selections from the Sol LeWitt Collection is made possible by the support of Marian Goodman Gallery. Additional support is provided by Agnes Gund, Wynn and Sally Kramarsky, the Kraus Family Foundation, Mickey Cartin, Christie's, Carol Saper, the Evelyn Toll Family Foundation, Kathleen Irvin Loughlin, Steve Henry and Philip Shneidman, William and Donna Acquavella, Paula Cooper Gallery, Gabriella de Ferrari, Tony and Gail Ganz, Rhona Hoffman Gallery, Donald B. and Catherine C. Marron, Leon B. and Cynthia H. Polsky, Emily Rauh Pulitzer, Richard Roth, Michael and Nancy Rosen Blackwood, and Pat Steir.

Upcoming Free Events:

Saturday, April 16, 2:30 and 4:30PM
Inevitable Music with Sébastien Roux

Thursday, April 28, 6:30PM
Join the curators of the exhibition, Claire Gilman, Senior Curator at The Drawing Center, and Béatrice Gross, Guest Curator and LeWitt scholar, for a walkthrough of the show.

Thursday, May 12, 6-8PM
Albers Color Workshop: Perception Through Iteration


Image: Photograph of Sol LeWitt’s loft, 117 Hester Street, New York, 1968. Black-and-white photograph. 3 1/2 x 3 1/2 inches. LeWitt Collection, Chester, CT.

Lab Corridor Apr 15, 2016 - Mar 19, 2017

Jackie Ferrara

Lines

Installation View, Lab Corridor. 2016 Installation View, Lab Corridor. 2016 Installation View, Lab Corridor. 2016

Installation View, Lab Corridor. 2016

Jackie Ferrara: Lines consists of eight wall drawings, each anchored by imagined architecture or architectural elements along with lists of film titles rendered in Morse code. The Morse code acts as a foundation or band, interrupting the drawn architecture or adding another layer over the entire surface. The underlying theme of the individual drawings is reflected both in the architectural element or shape dominating the drawing as well as by the Morse code text, which consists of curated lists of films Ferrara began compiling in 1993 that reflect her life-long passion for film. Vampire Towers, for example, depicts nine abstract, dark towers that emerge out of a foundation of vampire film titles veiled in Morse code. This commission reflects the ongoing evolution of Ferrara’s work, incorporating elements of the established language of her sculpture and public art works and bringing them to the walls of The Drawing Center.

Curated by Olga Valle Tetkowski, Exhibition Manager

Jackie Ferrara: Lines is made possible by The Drawing Center’s Exhibition Fund members. Special thanks to Joyce Pomeroy Schwartz.

Photo: Installation View, Lab Corridor. 2016. Photo by Martin Parsekian.

STAIRWELL Apr 10, 2015 - Aug 01, 2016

Abdelkader Benchamma

Representation of Dark Matter

Abdelkader Benchamma, //Representation of Dark Matter//, 2015, Mixed media, Courtesy of the artist and Gallery Isabelle van den Eynde, Dubai and galerie du jour agnes b., Paris. (installation photo by Jose Andres Ramirez.) Abdelkader Benchamma, //Representation of Dark Matter//, 2015, Mixed media, Courtesy of the artist and Gallery Isabelle van den Eynde, Dubai and galerie du jour agnes b., Paris. (installation photo by Jose Andres Ramirez.) Abdelkader Benchamma, //Representation of Dark Matter//, 2015, Mixed media, Courtesy of the artist and Gallery Isabelle van den Eynde, Dubai and galerie du jour agnes b., Paris. (installation photo by Jose Andres Ramirez.)

Abdelkader Benchamma, Representation of Dark Matter, 2015, Mixed media, Courtesy of the artist and Gallery Isabelle van den Eynde, Dubai and galerie du jour agnes b., Paris. (installation photo by Jose Andres Ramirez.)


Further activating The Drawing Center's newly designed exhibition spaces, each year an artist will be invited to create a wall drawing in the gallery’s main entryway and stairwell. The Center continues this initiative in April 2015 with a commission by contemporary artist Abdelkader Benchamma (b. 1975, Mazamet, France).

For his first U.S. museum presentation, Abdelkader Benchamma will create an astronomical vortex in the strikingly graphic large-scale drawing, Representation of Dark Matter, 2015. Comprised of a series of linear abstractions and nebulous, inkblot forms the work is a highly articulated depiction of the complexity of the solar system and its nearly imperceptible dark matter. The image’s swirling masses of lines are intricately rendered to resemble scientific illustrations of the Big Bang and explosive cosmic forces. Benchamma’s monochromatic use of such drawing tools as black felt-tip pens, India ink, and charcoal against the gallery wall’s pristine surface will result in a subtle array of tones and textures that straddles the boundaries between figuration and abstraction. As an occult mapping of time and space, this immersive installation gives form to that which is infinitely large and perpetually transforming.

Curated by Joanna Kleinberg Romanow, Adjunct Assistant Curator.

Abdelkader Benchamma: Representation of Dark Matter is made possible by the support of the Cultural Services of the French Embassy, Gallery Isabelle van den Eynde, Dubai and galerie du jour agnes b., Paris.

PRESS
Studio 360 radio on "How Do You Draw Dark Matter".

Image: Abdelkader Benchamma, Representation of Dark Matter, 2015, Mixed media, Courtesy of the artist and Gallery Isabelle van den Eynde, Dubai and galerie du jour agnes b., Paris. (Installation photo by Jose Andres Ramirez.)